
We want every dub to sounds its best when it leaves the studio, so if a track needs mastering we use the finest quality gear and ten years of experience to get the audio sounding just right before its cut.
First we send the signal through an M/S matrix and out to the Cransesong HEDD for conversion to analogue. Then the signal flows into a Millennia Media TCL-2 twin topology compressor. This allows us to control the stereo field dynamically, and we can choose either Class A Vacuum tube or Solid State circuitry. Then the signal flows back into the HEDD and because its a harmonically enhanced device we can add measured amounts of warmth.
Once its back in the digital domain we use a DMG Equilibrium EQ to adjust the tonal balance and a DMG Compassion compressor for more fine tuning of the dynamic range. Then its on to the lathe for final processing.